about me

Born in Venice in the early 1960s.

For me, photography is an extension of thought and body: a language through which light becomes experience and perception.

My practice moves between historical techniques and contemporary experimentation. I combine processes such as pinhole photography, large and medium format, darkroom printing, cyanotype, and wet collodion with early 20th-century lenses, found materials, and self-built devices.

Through infrared photography, I explore a parallel reality suspended between the visible and the invisible, while the construction of photographic tools becomes part of the creative process itself.

Black and white is my essential choice: a space of reduction and clarity, where photography returns to its most direct and fundamental form.